How to Spin A Shawl From Moonlight

A while ago, I wrote about a magic carpet I made, a blanket spun from the midnight sky and legends. I mentioned that I wanted to spin moonlight and make it into a shawl. If I could no longer sit upon the midnight sky, perhaps I could drape myself in moonlight while I wrote. A little signal to my unconscious mind to release itself in a powerful way, packed with symbolism of the moon. A signal to my inner muse.

Occasionally, I will dye and spin wool into a tangible metaphor, something much more than a simple scarf or hat. The entire time I work on it (the blanket took a year), I contemplate a theme I wish to associate with the project. Then, every time I use the item, I remember its creation and subject. It’s a constant reminder of an extended daydream designed to help me achieve my goals.

For instance, once I dyed wool with coffee and made a thinking cap. If I had problems concentrating during finals week in college, I would wear my literal thinking cap to use in a metaphorical way, tricking the subconscious into helping me instead of wandering to and fro. Of course it worked, or I wouldn’t be talking about it. I was about to fail a class unless I passed a test I didn’t understand the material for, and I got a B. I wore the hat, I was answering complicated algebra problems that I didn’t understand, I was showing my work without knowing what I was doing or why, and I got a B.

In other words, it’s magic. Whether or not it is done by tricking the mind.

To those unfamiliar with the symbolism of pagans, understand that we do not study from a sacred book. We study the patterns found in nature, and use those as a metaphor. Our students are encouraged to spend time meditating on the elements and forces of nature, to use them to find wisdom and meaning in their lives. We look into nature as a mirror, our spiritual experiences are viewed as subjective and a reflection of our unconscious, a primal method of understanding our minds and healing our own psychology.

So when I set out to spin a shawl from moonlight, I looked to the moon as an archetype and thought of ways to tie it to my storytelling, telling myself that I would be more easily inspired and my writing would have more depth when I wore the finished project. The fibers in my hand continually set my wandering mind back to my purpose, the way some religions do with beads they hold as they pray or meditate.

All of my wandering thoughts were framed in the light of the moon. Times away from my knitting, as I cooked and cleaned, ran to the store, watched movies with my love, my thoughts were still colored by the day’s contemplation of the moon and how it ties into story.

The moon is the lover of the sun, transforming the sun’s harsh rays into something softer, more gentle. Traditionally, this is seen as the union of man and woman, woman taking in the light of man and transforming it into something new and delivering it to the world. Action and reaction, cause and effect. We see the moon grow round and pregnant, and then shed its gains and wither, and in that we see the life cycle of woman, we even recognize her tides as connected to the moon’s.

The moon controls the movements of the ocean, therefore the moon has dominion over water. Our blood is mostly water, water is life. It nurtures and relieves us, and it is our tears. We feel a connection between the rise and fall of the tides and the rise and fall of emotion in our lives, we feel our hearts fill with emotion like a shivering puddle, rising to overflowing.

Water as the realm of love, holds shadowy depths where we find metaphors for the unknown, the subconscious, madness, and despair. Sometimes we drown in feeling. We swim through emotion in the light of the moon as the tides pull at our heart, calling us into dreams and reveries under the stars.

This is not just the realm of love, it is also the realm of prophesy, predators, and fear. Under the illusions of moonlight, sometimes we sit alone even in the company of others, falling into a quiet madness. Sometimes the madness will not come fast enough, so we encourage it with the help of a little drink, or perhaps a pill, or both. Through madness, drink, or natural sleep and dreams, the moon is often a gateway to other worlds.

We can become lost in the dark, hunted upon, as the world becomes distorted in shadow. But the path of the moon also brings peace, a quiet and gentle reflection, a time of healing and growth. Some are comfortable in the light of the moon, feeling no fear from the shadows. Though perhaps it is delusion, and perhaps sometimes it is the confidence of one who knows they are the largest monster in the forest.

The moon has all of this symbolic wealth and more, a bounty that any writer can enjoy. The path the moon took me down was pleasant. I jotted down many new ideas and polished up old ones; spending time letting my fiction swoon with emotion, letting truths be spoken through shadow, distorted by mists and moonlight.

My results are a little gory. That would be entirely my fault, and is not the fault of the moon. If I started this exercise as a romance writer, I’m sure I wouldn’t have ended up eating beef heart as part of my research in how to cook a human heart. Though that actually is a love story, I promise.

In fact, the whole Valentine’s day thing has done strange things to me in general this year, and I blame the shawl. I can think of no other reason why I would be designing greeting card covers and playing around with dark love sonnets. I’m even seriously toying with the idea of offering a line of Valentine’s Day cards next year. One that might feature a still life I have planned, if I can get my hands on a photogenic enough pig’s heart.

P.S. – The beef heart. Oh, that enthusiastic slab of flesh was so ready and willing to be a perfect metaphor. I now know that if you cook heart without slicing it thin enough, you will end up with a range of words like blackened, charred, or cracking (that pair lovely with the idea of a wounded human heart), and yet when the meat rests it will still weep blood. This heart in particular was cooked twice and still bleed, I had to slice it to cook it a third time. I believe the thing was auditioning to freak out a murderess.

The end results were wonderful, like steak without getting fibers stuck in your teeth, even the wary men of the house tried some and wanted more. The dogs were thrilled. Next time, I’ll slice thinly before throwing in the skillet.

The Cats

I’ve had a bit of massive disappointment. A little while ago, I talked about the cats in my neighborhood, we live in trailers and the abandoned and outdoor cats have turned into a colony of at least a hundred cats. I love cats, and even though Joe can’t stand them and wanted to keep them away from our trailer (they tear up insulation around the pipes), I wanted to do something.

I got it into my head to do some TNR (trap, neuter/spay, release). In our area, an organization will do this for $20 a cat, meaning I would have to raise at least two thousand. I thought I could do that with my writing. I looked into it enough to find out who to call about the cats, sat down to plan a novel (only one of several things I was going to try), and have been working on research and prewriting for a couple of months now. I put off researching how to tend to a cat colony until I was ready to start related material in the book, and by the time I got to the research, things started getting upsetting.

The thing is, cats vs. birds happens to be one of those old debates that has problems coming to a solution. People are passionate about each side, and TNR is not quite the solution I was thinking it was. I assumed that feeding cats would decrease predation on birds, but that might not be true. Or it might be. Or cats preying on birds might not be the issue we make it out to be. Or it’s bigger. Or TNR is a massive waste of resources.

The reason it’s hard to tell is because most of the studies seem to be biased or suspect in some way. Even before looking at criticisms, I could still spot issues that made me wonder about their methods. They all raised good points, and they all contradicted each other. They all ignored certain issues, and some possibly purposefully used outdated material or cherry picked samples to back up their claims. Some historically significant information may even be made up entirely.

That’s what happens when you let your heart rule your science, it leads to confusion, and being too vehement against your enemy makes you look sketchy yourself. These people have talked me right into doing nothing at all.

I was even doing my “knit while contemplating stories” thing with a cat’s paw lace scarf, and the disappointment was so much that I unraveled it. I had to pick a new project to soothe me and keep my muse from sulking.

I’m making a nice fisherman’s lace scarf now, dark waters and entrapment are nice things to contemplate while thinking of horrorable Valentine’s day stories. Not sure how long it will last, but I seem to be tickled with a sanguine holiday spirit. I can still write the novel, after a bit of playtime. I’ll leave in a few of the cats.

P.S. – Joe isn’t entirely cold hearted about them. He’s promised that after he fixes our skirting, and yes, some busted pipes with torn up insulation, he’ll build a little shelter the cats can hide in. I had to promise to stop feeding them, but there are quite a few people around here feeding them so they won’t starve.

About The Idea that Brought Me To Tears

If I’m posting infrequently, it’s because I’m lost in notes and a dark nostalgia. Something uncomfortable is happening with my writing. I’m changing my approach in an intensely intimate way. Thankfully, the process isn’t too fast, as it seems to be bogged down by research. I’ve been covered in books since I realized the idea wasn’t flash, it was a novel. Well, except for December. Joe came home early in the month, so I had a good excuse.

You see, it turns out I have an agenda. I’ve got this wild notion to weave in some advice on spotting and dealing with people with low empathy, garden variety narcissists and non-violent sociopaths. My theme will be related to recovering from the damage of having one as a parent. My mother was not, but her mother was, and our relationship has been rough because of it. There are traumas my mother now carries that she’s very protective of, wounds she avoids poking, wounds healed so twisted and raw that they became contagious. She also seemed to teach me how to walk right into danger.

My agenda comes from my initial idea hitting a little too close to some personal wounds. I worked it out though, how to express my personal experiences without having to relive them. Before now, I haven’t been comfortable expressing subjects too close to home in my fiction, preferring to hide my emotions in monsters.

So, I worked out a method that would allow me to develop my idea in a more removed manner than something like freewriting about trauma or unpacking memories. I’m sure others have similar methods, I’ve just never let myself think about it before.

I’m researching and using fiction to explore concepts, building characters based on research and setting them free in story, just like I did with serial killers when I read about profiling. I’m fictionalizing the research, not my life. The difference is the research is now about subjects close to my scars.

These topics result in characters with damage that resembles my own. They aren’t a fictional me, but I empathize with them. Then I can put them through what I’ve learned about being resilient, teach them how to avoid danger and how to heal, in the way that writers are prone to do.

It’s not the emotionally nerve-wrecking idea of using personal experience as the root of creative exploration. It’s removed and theoretical, so less bothersome. It’s also a process I’m familiar with, so it feels safer even if the subjects are a little triggering.

I’m not thinking of monsters now, and yet somehow it seems darker. Tears come sometimes, even when the initial scene I envisioned has nothing but a little girl sitting on a couch, watching a family get ready for dinner. I don’t know how I’m going to explain things to Joe when he catches me weeping at my own writing. I try to cultivate a reputation that I can handle myself, despite the fact that I know he knows better.

P.S. – I highly recommend the book The Sociopath Next Door by Martha Stout, and the podcast Understanding Today’s Narcissist hosted by Christine Hammond to any writer, of any genre, and in fact, most human beings.

P.P.S. – Okay, so I will be fictionalizing what it is like to be forced to listen to Dale Carnegie on the way to elementary school, but everything else will be pure b.s., and that part might not even make it into the book. It’s so very unfortunate that I’ve decided to require myself to listen to him again, as he’s instructed a key character in being a better sleaze. I might have to drink for it, he always makes me feel so dirty.

The Cat Burglar and the Chandelier

Have you ever met someone and realized they are a living work of art, honed to their specific purpose in such a way that you will never forget them? I hope you have, they are great to keep in mind when you’re writing.

I was fortunate enough in my youth to live on the street, and that isn’t exactly a joke. I mean, sure it sucked, hunger and illness and all that. I wasn’t even there for “the usual” reason of addiction (those quotes are a discussion for a different day), it was a combination of religion, lack of a supportive family, and getting stranded in another state. It was a harsh situation, but I was young, and I ended up in a variety of situations that will provide endless stories and insights into the lesser seen aspects of society.

Like the cat burglar. I doubt I’ll forget him.

I thought of him the other day, when one of those sudden and completely irrelevant and useless type revelations struck me. I realized I was surrounded by police at a party with a possible cat burglar, who may or may not have been laying low for a bit. He must have been shitting his pants. I mean, we all were, because we were high as a kite and surrounded by police, their commissioner, and the mayor of New Orleans. But I bet he was really feeling it.

If you don’t want to year about that particular party, you’re dead inside, but no worries because I already told it right over here, so go take a look when you like. For now, you probably want to know more about the possible cat burglar.

Our little crew was a little different from most of the gutter punks and street hippies around us. We were a collection of street pagans, I was the wandering nature loving mystic and my ex was one of those shock value ceremonialist teenage punks, the equivalent of a republican and a democrat getting married at times. Wingnut was Wingnut, but the point is that all day long we babbled about the nature of the universe like street philosophers, with occasional interjections of Rocky Horror quotes.

This guy Ducky though, I don’t know what he thought about anything. I don’t know if he believed in the occult (I like to dance from one side to the other myself in an eternal self debate between science and mystery), I don’t know if he ever saw Rocky Horror, I don’t know if he was fond of the 80s songs we would sing to keep our spirits up, or much about him at all. I only remember him speaking once, in this story. I was never sure if he was smiling to laugh at our jokes or to laugh at us.

Ducky was not just quiet. He turned quiet into an art form. We found this out one morning when we woke up in our squat, an abandoned play theater in pre-Katrina New Orleans. This was not the typical squat, rat filled and punk defiled, covered in filth you don’t want to imagine. There were some areas of such, behind the concession stand and in the halls leading to the bathroom. The bathroom itself, one of us wandered in and immediately back out and warned us not to go there, we believed him.

The rest of the place, the auditorium with its red velvet seats and the stage still framed by red sliding curtains, was near pristine, save for a layer of dust. It was admired, special. A small place of beauty that those who live on the street seldom get to enjoy. The centerpiece was a giant chandelier, with real crystal adornments, not cheap plastic.

I know that because one morning Wingnut woke up to glance over and see Ducky sliding up a grappling hook going from the banister to the chandelier, making not a single sound as he gently pried off a couple of pieces and slipped them into his pocket, then returned to the banister and unhooked his shady rope of thievery and returned it to a backpack probably holding abundant pilfered treasure.

Wingnut notified us by waking us up to cries of “HOlyShiT!!!” as he ran over, and we jumped up in a panic, rushing over to find a bashful Ducky, who smiled as he proved Wingnut’s story by pulling out the two pieces and clinking them together.

I looked at him and (here it comes, he’s about to speak) pointed out he was pretty short for a guy. Understandably defensive, he said, “Yeah, so?” to which I replied, “The perfect size to crawl into a window.”

(totally not the chandelier in question)

He just smiled. Just smiled and said not another word.

Oh, it all fit together then. The navy clothes that looked like a generic work uniform, able to pass off as a janitor, meter reader, delivery man. The stocking cap was the kind that could be hiding a mask when it was rolled up the way it was, his unassuming manner that wouldn’t draw attention to himself, his desire to quietly follow people more attention grabbing than he was, people who might distract from his presence. Hands to his sides, no flamboyant gestures, never saying anything that would cause him to stick in your mind.

And he clarified nothing. Nor did we ask, it’s not polite to ask questions to people who live on the street. So many people have someone looking for them, questions cause suspicion you might be a private investigator sent by their family, or even a narc. Besides, we knew the kinds of histories people might have when the sidewalk is their pillow. It’s just plain rude to bring up painful pasts as a topic of casual conversation.

But oh, man, the fuel for my imagination to go wild. As I grew older, the possibilities grew a little darker, not everyone who climbs into windows is a loveable type guy. He seemed okay, harmless, but by now I’ve learned how deceptive that can be. Still, I will always admire how he turned being a wallflower into an art form to serve his own purposes. After my little revelation, I’m also amazed at how well he kept his cool when faced with a largish gathering of the local police force.

I mean, wow. He needs to write a book on deep breathing techniques or something. Who have you met, who seems so perfect it’s like they walked out of the pages of a novel?

How To Make A Flying Carpet

I miss my flying carpet. I have a spinning wheel, an old friend named Molly Grue. She is an Ashford Traveler, designed to be portable. I named her after a cook for bandits, a fiercely domestic woman with a temper to raise storms and a love of adventure.

At one point in our friendship, I bought a book on the mythology of the stars. Not just the lore behind constellations we grew up with, but also hints of how the sky was seen by other civilizations through history, and a few tips on better reading the stars yourself. It was a story so beautifully told it filled my heart with magic, and I found myself buying five pounds of wool and shades of dye to match the midnight sky.

To the uninitiated, five pounds of wool is roughly two lawn bags full. The wool I bought was “raw”, unwashed, straight from the sheep, because I enjoy doing things the hard way. I washed it carefully, lock by lock, then dyed it various blues and purples, with only a hint of actual black. I hung it in my bedroom to dry for a few days, turning it every now and then, fluffing out bits for better circulation. This phase took me a week or two.

Next came the blending. Despite a variety of hues piled up around the room, I wanted a solid color, heathered and even; an interesting black made complex by the various tones on the evening horizon. First, I added a bit of mohair for the white of the stars, tossing it like a salad. Then I scattered the wool around my living room in handfuls, the mess came up past my knees. I patted it down and rolled it up, pulling the roll into a rope to break up clumps of color. I repeated the process a few times times.

This did not take an afternoon. It took about a month. After this step came the combing, using two paddles edged with two rows of four inch nails that I keep near the front door in case I need a weapon, but so far I’ve only needed it to comb wool into a fluffy bits like the top of a poodle’s head. The fluff is pulled through a tiny hole in a scrap of wood so that it becomes a rope of compact and even goodness. I rolled this into balls, and it was ready to spin. It took a couple of months.

The spinning itself went relatively fast, not much more than a month. But then I had to knit it. When it was all said and done, it took a year to make, and it was almost the only project I worked on that year. I think I made a pair of socks as well.

That is just knitting, here is the magic that made it a flying carpet.

The entire time, I thought about that book. I was a single mother and a college student, those years were full of late-night study breaks while my son slept. Hours were spent on the porch staring at the sky while I tried to clear math out of my head, then a little time with my wool before bed. This project filled my life with visions of stars and stories that connect all of us, now and throughout history.

It’s a common thing to look at the night sky and feel small. I never really felt that in my youth. I could picture the sky reaching out to eternity, but I felt myself being exactly the size I should be. My amazement was no more or less than when I find a tiny cluster of crystals on a pebble in the road, or discover a green bee.

But that book, I wasn’t just looking at stars anymore. I was looking at myth, legends and stories that guided people through the seasons and across oceans, shapes that held meaning, held culture, were seen by primal man, by honored historical figures, by people I love, by people long gone and will be seen by the yet to be born.

Even better, many of those legends involve spinning. Such a cherry to top off the ever-present wooly metaphors of spinning tales and weaving stories. I guess I am driven by story. Turn the stars into stories, and their weight will come crushing down on me in the low, steady epiphany that drives all the bards wild.

My blanket was circular, like the horizon, with eight spiraling spokes denoting the ever moving path of the stars, shown in those little flecks of mohair. It was thick, warm, and perfect to lay on the ground for some light yoga.

When I sat upon it to meditate, I sat upon the sky itself. I’m sure you can appreciate why it seemed to feel like a flying carpet. You can’t buy metaphors with that much power. It brought much insight and inspiration for a while, until it was lost in one of our chaotic moving fits.

I’ve thought of it frequently lately, as I’ve been too distracted and lackluster for much inspiration. Some time after I moved most recently, I thought maybe a re-creation of the experience might pull me from my funk of moving home, maybe stimulate a few creative juices.

Not the whole blanket, I have other things to do this year. But perhaps a shawl, I could let someone else dye it, but I would spun it and contemplate the moon; a different aspect of the sky to get to know. It seemed an interesting way to stimulate some creativity, so I found a lovely merino/camel/silk blend dyed in a colorway called Twilight. Hopefully, If I pretend hard enough, I will feel bathed in moonlight when it is draped across my shoulders, and it will whisper shadowy stories in my ear.

Greenwood Fiberworks can be found on Etsy.

In the meantime, I have cats to write for, so I also started a scarf in a simple cat’s paw lace, in a yarn I hope Joe doesn’t find the receipt for (the uninitiated are never prepared for the cost of top shelf yarn). Not long after casting on, I decided to listen to “cat lady” music, and figured cat ladies like classical. The combination made me quickly remember a few ladies who may or may not have owned cats, but took in stray children, and a few stray children I knew that never did find homes, and a scene from my childhood with a safe way to express it in fiction. It came to me in a flash that moved me to tears, only three rows into the scarf. That right-brain stimulation is powerful stuff.

These cats may end up opening a vein, as I start wandering through a different kind of darkness, away from monsters and serial killers and closer to subjects more terrifying to talk about, a little less play and a little more drama. Except for the hidden murderess, she could be fun. And there could be a little magic here and there.

Writer’s Feedback Please: Feral Cats

We have dogs, but I am secretly a cat person. I’ve had close to twenty (all indoors). When poverty prevented vet trips, I became petless and stayed that way until I met Joe. Joe hates cats. He keeps saying they are noisy, due to once upon a time being kept up by a stray cat in heat. I keep telling him the dogs are a thousand times louder, but then he starts talking about smells, and what if they attacked his dogs, and so on.

But he’s not here, he still works in New York, so I stared feeding the strays.

We have a cat population so thick, they’ve made their own trails running under storage sheds and between our houses, burrowing under and and leaping over from place to place where the cat ladies feed. I’ve become one of them, but I have an end game. I am gaining their trust and keeping them close.

There are no real birds to speak of here, only a handful in the entire neighborhood have escaped the cats. When I first moved in, I was delighted to find a few snakes and a turtle, signs that wildlife migrates through the area from nearby railroad tracks, and I got excited at the chance to nurture a little urban diversity.

But, the cat colony kept growing. There is no diversity here, just cats and the few birds that have learned how to avoid them. I haven’t seen a bunny in over a year.

There are dogs though, the large, aggressive ones that people in shabby neighborhoods keep to protect them. When I first moved in, I thought the cats had Manx blood and were inbreeding, until I noticed the ones whose tails had healed permanently mangled from narrow escapes. Now I see the limping, the scars.

I love cats, and I love nature, so I want to act, even if I only manage to help a little. I know no-kill shelters are overrun, and I know many of these cats aren’t likely to be adopted, so working with a catch-and-release spay and neuter program seems the best option.

Now, Joe is currently making a comfortable amount of money. However, because of our mutual goals, I’m on a small allowance while we finish paying way too much for this place, so we will be allowed to move it to land (which also means we need money for land). There is no way the cat-hating Joe will help me with this goal, unless I’m also contributing my own funds, then he might think about it.

My own funds being limited, this will be a slow process that might not help much, unless I do the weird thing all the people with real jobs are doing and earn my own money. In my current situation, the best way to do that is with my writing. It will still take patience, in the meantime I can continue doing what I can with my own money to help.

Obviously I can submit my work and use that money to buy the vouchers I will need, but I’m still at the stage where I don’t have much material worthy of submission. I’m working on correcting that right now. In the meantime, I still wish to keep up my fiction blog, and my uninterrupted writing time is short.

Here is where I need your feedback. I could simply do my normal weekly flash, working hard in the background on a novel that features a cat, then self publish and then use those book sales to raise the money. In essence, leaving my blogging out of it, but the project would result in my first novel, a simpler story than the one I will talk about below.

Or, I can blog the occasional cat-related flash with a donation button in the P.S., and possibly weave that flash into a flash novella, occasionally making one of my little films to illustrate some of the flash to promote novella sales. If I did that, the novel I work on could be the idea I already have, character sheets and all, but it has an aspect that I would find challenging as a writer. It’s a little intimidating, and I’ve been either working to developing my skills or been procrastinating, I’m not sure. Both projects would be more complex and challenging this way.

Maybe I won’t be able to raise any money in a decent amount of time, I might end up just paying out of pocket until we eventually move, but I can continue to donate to the cause. Any money I make from either cat project would be donated, forever and ever, amen. It might not end up a huge amount, but I will be doing what I can.

Okay, writing community. What would you do?

Black and White

My experience with photography started with me purposefully taking bad photos to correct them in photoshop, or to find things to play with trick photography. Having a lousy camera never held me back, because it was all intended for the web. Or at least, that’s what I told myself to make me feel better. My limited equipment is really probably why I only ever dabbled in it occasionally over the years.

Now I have a 4k camcorder that takes still images clear enough to enjoy on a large screen. My eyes limit me more than my equipment. I can actually approach photography/videography as a hobby for it’s own sake, even if it’s just to capture things that will illustrate my fiction.

This is all to let you know why yesterday was the first time I’ve ever tried limiting myself to shooting in black and white. I mean, I figured if I wanted a black and white photo, I could just edit a color photo to suit what I wanted.

I so wish I tried this sooner. I’ve been in such a funk every time I look around me and try to find something to photograph. This time of year, the grass is patchy where the summer heat sucks the life out of everything, temperatures in the hundreds over plains full of hard-packed, clay filled soil. Then autumn brings some rain, and a little flush of green, but mostly everything is still a dull olive fading to brown and everything looks a little frayed around the edges.

Taking the dreariness out of our landscape by only seeing it in light and shadow was awesome. I mean, I like dreary, when it has atmosphere. But a color photo needs a little something interesting about those colors, and that’s been a little scarce lately.

Being able to ignore color completely freed me; I began to enjoy interacting with my surroundings. My lousy little trailer (so disappointing a subject after spending the summer in a small mansion) started looking gloriously shadowy, and my lousy housekeeping started looking interesting and expressive instead of embarrassing. That’s fucking magic, right there.

I took my daughter to the park for some fun shots to send to daddy, and the ugly landscape and scenery this time of year didn’t hold me back. I got a ton of great photos of her, and the cracked pavement and tattered buildings were fun to collect along the way. I’m looking forward to more outings with my camera now, and it’s definitely eased my funk.

All in all, I have decided black and white photography is cheating a little, by making the medium simpler to use. And that is fine with me.